Panel
6. Using the Arts, Media and Culture: Contestations and Collaborations
The Javanese diaspora in New Caledonia serves as an illustrative example of a profoundly colonial history, exerting a lasting influence on the collective identity of its members. This research examines interpretations and (re-)appropriations of colonial artefacts and visual representations within this diasporic context, with a specific emphasis on the history of postcolonial Indonesian history. This study advances a compelling proposition for adopting an interdisciplinary approach in examining the reinterpretation of colonial objects, sites, and images within the Javanese diaspora in New Caledonia. In doing so, it seeks to underscore the multifaceted significance of these elements in contemporary settings, challenging the conventional perception of these items as mere historical artefacts. Instead, they acquire renewed pertinence when viewed through the lens of diasporic communities, revealing valuable insights into the intricate processes of identity negotiation, memory preservation, and cultural affiliation within the diaspora. Through a comprehensive exploration of the Javanese diaspora in New Caledonia, this study aims to unravel the intricate interplay of colonial objects and images within the diasporic narrative. These elements serve as tools for self-expression, heritage preservation, and the reclamation of cultural identity. Consequently, this research highlights the significance of examining the contemporary dynamics surrounding colonial sites and images within the Javanese diaspora in New Caledonia, fostering a comprehensive understanding of how these elements transcend temporal and geographical boundaries.
Arifah Arum Candra Hayuningsih
Gadjah Mada University, Indonesia