Panel
6. Using the Arts, Media and Culture: Contestations and Collaborations
This presentation will examine the circulation of the nineteenth-century Javanese antiquity photographs in different types of photographic albums from the collection of Rijksmuseum and Wereldculturen Museum in the Netherlands. Whilst I will consider the works of European photographers from the period in discussion, the article will focus on the archaeological photographs of the first Javanese photographer Kassian Cephas (1845-1912). Photographs from colonies rarely arrived in metropole’s archive institutions as individual prints but in photographic albums as their physical, organizational, structural and narrative context. Their material context demonstrates Cephas’s archaeological photographs gained popularity through the photographer’s commercial activities when they became “souvenirs” from colonies. Their online presence, almost a century later and through the possibility offered by online search engines, they become archaeological documents again under the subject category of “temple, shrine, Hinduism, Buddhism.” This article will discuss the change of their use value and meaning through the process of archiving, from antiquity record to travel chronicle and from geographical landmark back to archaeological document.
Alexander Supartono
Edinburgh Napier University, United Kingdom