Samkathana Research Center, University of Kelaniya, Sri Lanka
Prof Asoka de Zoysa had his training at the Institut für indische Philologie und Kunstgeschichte, Berlin to read Sanskrit, Pali and hybrid-Hindi texts and interpret the art of India and the Himalayan region. His doctoral thesis Blutrünstige Braminen am heiligen Strome (1997) published in Frankfurt, analyses how India was represented in the 18th and 19th century popular genres of opera and theater of Germany, France and England. After his MA in Indology and Germanisitik he was a member of the Educational Service at Museum für Indische Kunst in Berlin, arranging guided tours and lectures in the Museum of Indian Art and special exhibitions.
Since 1997 Asoka has been a member of the faculty at the Department of Modern Languages and is now a professor in charge of German Studies and Director of the Samkathana Research Centre. He is interested in gender aspects in contemporary art, theatre, fashion, advertising, cinema and literature and has translated German plays to Sinhala and English, some of which he directed himself. His current research interests are centred around the Buddhist Temple Buddhist and Hindu Iconography. He writes regular reviews for newspapers on the performances and exhibitions.
Tuesday, July 30, 2024
09:00 – 10:45 (GMT+7)
Tuesday, July 30, 2024
15:45 – 16:15 (GMT+7)
Tuesday, July 30, 2024
11:15 – 13:00 (GMT+7)
Contesting Cultural Ownership: Diversity of the Design Journey of the 'Lewke Cannon'
Tuesday, July 30, 2024
15:45 – 16:15 (GMT+7)
Knowledge Production and Representation in Religion
Wednesday, July 31, 2024
14:00 – 15:45 (GMT+7)
Buddhism in Theater, Gramophone and Film
Wednesday, July 31, 2024
14:00 – 15:45 (GMT+7)
Crossing Time and Space: Historical Perspectives on States, Communities and Human Mobility
Wednesday, July 31, 2024
16:15 – 18:00 (GMT+7)
Wednesday, July 31, 2024
16:15 – 18:00 (GMT+7)
Thursday, August 1, 2024
10:45 – 11:15 (GMT+7)